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An accessible, timely and fascinating account of the revolution going on in the world of finance - and how accountants really can save the planet - from the acclaimed author of Double Entry.
FULLY REVISED AND UPDATED
Climate change is here and capitalism is implicated: it's programmed to privilege profit and growth over human communities and the living earth. We need to change this system - and we need to do it now. Six Capitals charts the rise of four movements designed to overthrow capitalism as we know it: multi-capital accounting, for society, nature and profit; the push for a new corporation legally bound to benefit nature and society while making a profit; ecosystem accounting for nations; and legal rights for nature, which resonate with indigenous earth-centred laws.These movements are critical for the future of human life on this planet. Together they override the profit-driven modern corporation, the growth-driven nation state and the legal status of the natural world as lifeless property.
Multi-capital and ecosystem accounting, benefit corporations and the rights of nature movement are here to stay. Six Capitals tells their story, from their first emergence in the postwar era to today. This revised, updated edition is for the new generations of business leaders, entrepreneurs, activists, accountants, economists, scientists, farmers, food growers and distributors, teachers, parents, politicians, bureaucrats and concerned citizens everywhere.
About the Author
Jane Gleeson-White is the author of Double Entry: How the merchants of Venice shaped the modern world - and how their invention could make or break the planet (2011), which won the 2012 Waverly Library Award for Literature and was shortlisted for the 2013 NSW Premier's Literary Awards, The Age Book of the Year Award and the Queensland Literary Awards. She is also the author of Australian Classics (2007) and Classics (2005). Jane is a PhD student in creative writing at the University of New South Wales and has degrees in economics and literature from the University of Sydney and was an intern at the Peggy Guggenheim Collection in Venice.